“Morgan showed me how to appreciate my work, discipline myself, know my worth, and be a leader that others would want to look up to.”
- Madeleine Norton, BFA Acting ‘21, Otterbein University
I’ve been a theatre kid nearly all my life. From my first time onstage as the Ostrich in the 3rd grade play, I knew telling stories would be intrinsically linked to my journey. As a young person I always felt a little different, and theatre immediately felt like home—a safe spot for a goofy girl to fail big. In high school I was privileged to have gifted theatre educators who instilled in me early the value of a strong artistic community paired with a solid foundation of stagecraft and acting technique. I built on this during undergraduate training at the University of Evansville, where I was able to learn skills in many facets of theatre while also understanding what it means to be part of a healthy and thriving creative culture. After finishing with honors at UE, I immediately entered the graduate program at Southern Methodist University, where I earned my MFA in Acting in 2010. While undergraduate training was a more general theatre education, grad school was more immersive, and taught me the importance of fine tuning my skills as an actor, educator, and theatre artist. I am forever grateful to those teachers, directors, and mentors who poured into me during this pivotal time as a young adult actor, and carry many of their valuable lessons with me to this day.
After graduating in 2010, I had the fortune to perform professionally in a dozen Dallas-Fort Worth productions over the next three years, earning my EMC weeks during this time. I made the pivot to theatre education in 2013 when I accepted a job as an instructor at what is now known as North Texas Performing Arts (NTPA), the state’s largest non-profit youth theatre. It was here that I discovered a true passion for directing and teaching young actors. As the organization grew, I grew with it, moving into the roles of Director of Education then Creative Director, respectively. In the eight years I spent with NTPA I’ve taught and developed curriculum for multiple classes, directed upwards of 50 productions, helped to codify and manage artistic best practices for staff, and formed mentorships with dozens of young artists. In the spirit of wearing many hats I have also become more familiar with other facets of theatre, finding new fulfillment in online teaching, music direction, choreography, stage management, development, and design.
Practically speaking, I am a detail-oriented leader who believes in the basics: action-based acting technique, good habits, repetition, classic text work, and solid stagecraft. On a deeper level, I appreciate and incorporate a disciplined but positive process of collaboration—one in which we have fun, but we don’t play. I challenge my students to lead with empathy and curiosity, while simultaneously bolstering them with confidence to take ownership over their individual artistic journeys. I am honest and direct; but for all of my frankness, it is always my goal to temper it equally with compassion and love. I believe in striving for the exceptional, and thrive when pushing myself and my students to be at our personal best. I believe in leaning in and failing big, for it is only through learning from our mistakes that we can truly grow into the highest version of ourselves.
Thanks for stopping by my little corner of the internet. I’m glad you’re here!
xo, Morgan